Tracey
Hunzinker
1. In
class when the Skydome was discussed, it was stated that the tax payers ended
up picking up the slack in the financing because the architects went over their
budget. Now obviously not all projects are going to have an unlimited bankbook
to work from, so what happens to projects that go over the agreed upon price?
Who has to cover the difference? Does the cause or situation surrounding the
cost increase play any kind or role in who pays for it?
2. A C.P.M graph is normally done before
you get to far into the planning and designing of a project, as the time
allotted for the drawings and tendering have to be included. Now without the
tendering faze and knowing what companies are doing the work for you, as some
companies are going to take longer than others depending on the quality and the
process of the work, how are you able to figure out what the time required for
each task will be? Are they estimated guesses from previous projects? And if
there is an error made in one of the allotted times will the C.P.M. be
constantly under revision throughout the project? Or is it a case of “Written
in Stone”?
Chris Defayette
1. How
is finacing arranged for speculative developments? What does a real estate
appraiser do?
2. What
is the role of the law in real estate development? Do architects need a lawyer,
what is their role in practice?
Sharif Khan
1‑
How integral is computer
knowledge for this course?
2‑ How
important is computer knowledge in the field of cost analysis?
Jean Brisson
1.
What is the professor's opinion of 'pro bono' work? If the
ultimate goal of the architect is to design buildings and bring forward
solutions for the greater good of society, how can the architect compete with
the politicians and developpers without selling out to in the name of
mediocrity?
Between the two extremes of 'pro
bono' work and 'selling out' there is a path of sustainable profitable
conscious architecture; what is the professor's suggestion as to finding
success along this path of professional fulfilment and financial prosperity?
In the process of gaining the favour of a client, how does the
architect best introduce the issues of contract and legal details without
appearing too eager?
Rick Hippolite
1: How
does one know what order to place a contractor into the building process (onto
a CPM chart) and how long each SHOULD take to complete the given task?
2: If
contractors are NOT actually keeping up with the printed schedule... how does
the architect find out about it? If a contractor is done too early are there
problems related to this?
My personal Question:
In
terms of virtual worlds: Should a virtual space be 1) a mimickry of the real
world, or 2) a NEW type of world,
completely unique from the real one. Number 2) is currently the case.Perhaps it
should stay this way.
If
2) is true, then perhaps, we need new ways to look at Nimby'itism which have
not yet been addressed. see pages such as:
http://www.dramatispersonae.org/DesignEconomicsFrontPageTech.htm
If
1) is true, then I feel that AI can play a great part in the creation of
"real" Architectural spaces. see my proposal at: (Image teaching your Avatar to think just
like you so that it could create Internet spaces you would be in love with.)
Alexandre Clermont
1.
What's in a name? Is there an example of a specific building project
which was saved from the brink of failure by a sudden last minute change of
title?
2. When
building a building (ei: Corel Centre) which incorporates publicity signs in
it's design, when does one know when there is too much advertising? Can there
be such a thing?
A.J. Gerth
1.
What is the
"safest" way for an architect to price a job? ( most effecticve way to come closest
to estimating price without worry of
losing money on the job or having to greatly increase the budget)
2.
What is the best way to
protect your design ideas (intellectual property) from being copied
without compensation or
recognition? Is a copyrighted drawing
really protected or is it a weak form of protection?
Gilnar Haj Abed
1.
What are the different factors
of design economic and how does each influence and manipulate architecture or
any type of building?
1.
Does design economics have an effect on business
(something other than architecture)
and the general activity of a place? and how?
Submitted by: Melinda Hart; Melanie
Micocci; Dominique Tonetti.
1.
How to explore and encourage
the use of alternative building materials, such as straw bale construction, where building codes
prohibit or as not as accommodating?
2.
Encourage renovation or recycling of
buildings and/or salvaging materials from buildings that are being torn down
despite labor costs?
3.
Promote the use of environmentally
conscious practice (ie. Construction techniques, design etc...)?
4.
Making the most of the least. How to
sell or explain the benefits to compact living arrangements particular to city
living?
5.
How to educate the public and city
planners that a mix of residential and commercial is essential to a successful
city or downtown core?
6.
Promote design of accessible
buildings that is functional and feasible.
More than just to code standards.
7.
How to run a successful architecture
firm? What do you need to start?
8.
The architect has to sell his or
her firm. Would an architectural
practice be better served by hiring a market strategist to better sell the
project so that more attention can be devoted to design?
STEVE
KENYON
1.
As a young architect who plans
on working for him/herself, is it adviseable to start a firm right away (after
liscensing) under borrowed money, or to work for someone else until the setting
is more stable?
2.
Architects are
generally "self employed" or work in a situation carrying no real
pension arrangements. What is the best way a young architect to tackle the
reality of a difficult retirement?
3. (to
Mr. Firestone) ‑ As a successful player in the Real ‑ Estate /
Developmet industry, would you say that architects who do small projects: (homes, renovations, small community
buildings, etc.) work very hard but are not necessarily paid accordingly?
Kris Benes
1.
How does one get more money out of the client in order to fund creative
design?
2.
How does one educate the client on appreciating creative design when your average person knows nothing about
this? I mean we are talking about the
same people that believe that a
suburban monster with colonial columns at the entrance epitomizes good
architecture?
Edward Ho
1. After
the design being read by the client, what can be done to protect our copyright
of the design if the client decided not
to hire architect afterward?
2. In
the CMP schedule, is that always true for the architects to call for the
earliest start time instead of the
latest start time when slack time is available?
Paolo Di Cienzo
1.
Upon graduation architecture
students seeking employment seem shocked, almost appalled by their starting
wages. While an increase in pay is
desirable, are these wages not an accurate indication of the inexperienced
designer's worth to a firm?
2.
The value of creativity
seems faded as cost restrictions most frequently triumph over design. As architectural technologist societies
demand greater responsibility and certification,
how will architects demonstrate their value to the client if in the future technicians are permitted to design
large scale projects(O.B.C., sect. 3)
independently at competitive rates?
Chris Davis
1. The
Architectural profession seems to have hit rock bottom economically over the
last decade or two. Should the OAA enforce a minamum fee structure for licenced
architects? Every project is radically different so how would a fee structure
work? Do you think architects would embrace this idea? Has it been done before?
2.
If an architect chooses to
arrange a set fee, and his or her's office is efficient, they could make a
greater profit than if they had chosen to be paid by the hour, or as a
percentage of the building's cost. Is there any other advantages or
disadvantages to a specific method of commission?
Annie Cheung
1.
Ways to better intreperet the
municipal zoning laws and by‑laws without misunderstanding or missing the
point?
2.
When there is disagreement
between architect and client, how an architect maintain his or her
professionalism? When and how to say no
to client's requests to keep our ethics?
Emily Greenfield
1 You
have often said that architects are artists before anything else, do you think
there are circumstances and projects where a knowledge of the potential
problems could have a very negative impact on the overall effectiveness of the
design’s message?
2 Design
Economics assigns many values to a project; profit, endurance, population,
asthetics, people’s enjoyment etc. What is the most important value of a
project? ie. Can the term design
economics be used to describe improving the user appreciation value and not the
economic value of a project? Do other commodities in the field outweigh money?
Mark Huang
1. The conflict between clients and architects are inevitable. Some clients do not care about the creativity, enviornmental value, urban issue, and energy saving system, etc. which tend to cost more to them. Once the cost is down, the "price" of the building per square foot will be cheap and then the potent